It's a busy week in London with two fairs to choose from.
Frieze Art Fair is also on but
I decided to go to the PAD Fair today in Mayfair.
Frieze is an event in Regent's Park where modern art dealers hold court but I stopped enjoying it a few year ago so decided a mix of fine art, decorative arts, and furniture was a better bet.
Private galleries from Europe display their finest wares and the items that will be copied by IKEA in a few years time like this multi-limbed brass lighting fixture.
There are modern reproductions of furniture inspired by antique mid century furniture that had brass accents which I love.
Brass pipes reconstituted as a console which
I might get my builder to recreate.
Mirrors with enamel and brass detail.
Some galleries display all their exquisite chatchkes that are available for purchase if you have a big enough budget.
But what I realized is that lighting makes everything look better and beautiful objects look priceless.
This particularly drew me in as I love antiquities.
The problem is that this sort of direct museum lighting is also very expensive...
Some things were beautiful such as this ancient mosaic that was reframed but you would have thought the frame could have highlighted the piece better so one must not have automatic
dealer knows best mentality.
I found chairs that I will purchase when I win the lottery.
He was one of the creators of the Art Nouveau movement.
This probably explains why I fell in love with these chairs at first glance. The accents up close were flawless.
The chairs were apparently upholstered in white originally.
The pair of chairs were asking £120,000 but there are only 6 editions and the other pairs are in museums.
they had so many other beautiful artefacts.
The other runner up to favorite stall was this range of furniture from James-Paris.
Furniture has been reaping huge financial gains in the auction world and now isn't just about lasting 10 good years of function but people are looking long term as artifacts.
I really liked the brass lights and danish shelving.
I would have taken the tree trunk if
they gave it to me in the mood I was in.
Such layouts weren't just for interior decorators but astute investors looking for versatile investments.
( I eavesdroped when I could.)
It was like going to a show home where everything was for sale except for the building itself.
Some pieces would be "THE" piece that rooms would be designed around such as this corner cabinet and mini tables.
A feature of this fair I adore is that one can be up close and really inspect and enjoy museum pieces without a glass 3 feet away.
The workmanship on this gold artifact could only be appreciated a few inches away.
Another item on my lottery shopping list was this ancient Persian alabaster iron vase. I was very careful with my breathing walking around this otherwise I would have to be an indentured servant to the gallery for 5 lifetimes.
There were a few items that were very fashion victim-y.
I don't buy the whole limited edition for the sake of it business as was the case of this special mould acrylic side table by some artist.
And no this isn't part of the latest Anya Hindmarch bag collection but a pithy statement that will cost you hundreds of thousands of dollars that a crazed psychotic serial killer would do for free.
But where else do guests get to ponder their purchases on such pretty areas.
There was also fine art on show but
I didn't take too many pictures of those as that was the standard range not particularly unique to PAD.
But I like this arrangement of art.
Most stalls were like the one below where everything was for sale - picture on the wall, stool and table.
There was something for everyone.
Used samurai armour anyone?
Benches that might be bought by some corrupt municipalities.
Can't you just see a bachelor financier coerced to buy this coffee table by his interior decorator/entourage.
I never thought an Egyptian mummy would be appropriate home decor until I realized that this would be a perfect replacement for a grandfather clock.
I have never seen an Indian headdress more beautiful.
Each and every feather was perfect.
Standards are so high at the fair that a stall like this I would have normally been salivating over just didn't make me dizzy after the other chairs I saw.
There was a special rest area designed by the David Collins studio.
Piled up bottles of Ruinart champagne.
The outdoor area looked out on the remaining green
of Berkeley Square.
The fair will be on for another couple of days so I would suggest you visit if you can.
It's also held in Paris in the spring time so
do put that in your diary if you are near.